July 2011 NewsletterJim Casada
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www.jimcasadaoutdoors.com
Lyrics from one such song kept running through my mind earlier today as I dug potatoes in the garden and picked a gallon of blackberries. It is “Carry Me Back” sung by the Statler Brothers. I’ve always been passing fond of the Statlers, and there are several reasons why that is the case. For starters, we are very much of an age, and the times and things which loom large in their songs forge a common bond. Similarly, they are sons of the Appalachian soil (Staunton, Virginia) like me, and we share small town roots, values, and memories. Their music has gospel origins similar to the sort of music making which was a Friday night fixture during the late 1950s in the area of the Smokies where I grew up. Then too, I love the fine harmony, the nice blend of humor and nostalgia which characterizes so many of their songs, and the fact that they sing of things with which I can identify. As I rapidly approach the Biblical allotment of three score and ten years, I’m increasingly inclined toward the way of thinking provided in the lyrics of “Carry Me Back.”
There’s even fading memories of a teenage girlfriend who likely would, to this day, remember 1959. We had a local hamburger joint (Naber’s, which still makes wonderful burgers), driving around town or going to the drive-in were standard summertime activities, and preachers did visit poor souls when they got down (and thankfully, still do). Such things were part and parcel of growing up in a rural, small town setting. The population of Bryson City, N. C., where I grew up, was less than 2,000 in the 1960 census, the year I went off to college and in effect took the first meaningful steps towards being on my own. Today the population is still under 2,000, and while things have changed in a lot of ways (and in my view mostly not in a positive direction), and this little mountain town remains a place where a sound work ethic, honesty, faith, and patriotism figure prominently in daily life. The July memories I cling to are many and varied, but without exception they are warm, winsome ones. Just last week I spent a couple of hours with a woman, Blakeney Black Bartlett, I had not seen in a half century. She was the granddaughter of a wonderful couple who were our next door neighbors during my boyhood, and every summer she and her brother would come to the mountains to spend two or three weeks. Since they were straight out of New York it was likely a bit of a culture shock for them, and the same held true for me in terms of some of their outlooks and perspectives. Mainly though, we just shared the simple pleasures of life in a small town setting. I accompanied Blakeney on a visit to the Marianna Black Library, the local public library which was founded by and named for her grandmother. That library loomed large indeed in my boyhood and beyond. Well before I left home, as I have mentioned in previous newsletters, I had read every outdoor book in its modest collection several times over. Later Mom would serve as librarian for a decade, and in retirement both she and Dad were members of the library’s board at one time or another. Blakeney was seemingly pleased to see what the library is like today, and I know she took considerable delight in gazing at photographs of her grandparents and an aunt, Dr. Ellen Black Winston, who also was a great benefactor of the library. Books were a constant and welcome companion throughout my youth, but in July they were reserved for rainy days and evenings. There was simply too much to do outdoors the rest of the time. Seldom did a day pass when I didn’t put in three or four hours either in a local trout stream or on the banks of the Tuckasegee River, where catfish were my primary quarry. I ran trot lines and throw lines in the river, occasionally sold some catfish, and spent a world of time with an old river rat named Al Dorsey. Later I would learn that old Al, who was a stranger to soap and warm water but a catfishing wizard, had spent upwards of a decade in the state pen following a conviction for second-degree murder. As I knew him though, he was just a smelly old codger, one among many local characters who were part and parcel of my boyhood. I got to know several other intriguing characters thanks to spending idle hours at a shady spot near the town square where old men played checkers, swapped lies, and trade knives. The gathering site had two names, both of them grand examples of the pity, to-the-point way mountain folks tend to talk. The polite name for the place was “Loafer’s Glory,” but another off-color term was used more frequently. This was “Dead Pecker Corner,” a humorous reference to the age and declining sexual interest and/or prowess of the old-timers who were regulars there. That self-same square was also frequented on Saturdays during the summer by various persuasions of Bible thumpers. Some of these street preachers, with their powerful voices and verbal depictions of hell-fired and damnation, could draw quite a crowd. Others garnered scant attention but preached on bravely nonetheless. Often I would stop to listen to them a bit, not so much for the message as for the show. Religion had other summertime faces as well. There was a tent revival about every other week, and often part of the event would be some exceptional gospel singing. Similarly, once or twice a summer there would be sort of offshoots of the traditional brush arbor revivals, with an entire Saturday being devoted to preaching, singing, and dinner on the grounds. Later, a few years after I had gone off to college, a local gospel group which attained international renown, The Inspirations, would turn this into an annual event known as “Singing in the Smokies.” The original members of the group were just local guys to me—Archie Watkins, the tenor, was the son of the school custodian, and I dated one of his sisters for a time; Martin Cook had been a high school teacher; while the other original members, Jack Laws, Ronnie Hutchins, and Troy Burns; were all simple sons of the Smokies who made a prominent place for themselves in the world of gospel music. Most of the time when I listened to street preachers it was after having attended the Saturday matinee at the local movie theater. For a thin dime (later inflation took the price to 12 and then 15 cents) you got the latest installment of a serial, a cartoon, a news reel, and a Western featuring the likes of Johnny Mack Brown, Lash LaRue, Roy Rogers, or Gene Autry. In July I was usually flush with money, thanks to the fact that blackberries peaked in ripeness around Independence Day and also because I caddied on the local golf course, mowed lawns, caught and sold night crawlers and spring lizards to bait stores, and earned pocket money in various other ways. Later on, in my mid- and late teens, I would hold a full-time job. That included working at the golf course—mowing the fairways with reel-type gang mowers pulled by a tractor dating from the 1930s which had to be started by hand cranking, mowing the rough with a side blade, and dragging the sand greens (a contrast in terms, because they were brown, not green), and generally running things at the little nine-hole course. That brought in as much as five dollars a day, and I reckoned I was in high cotton, never mind that my typical work day was 10 or 11 hours. Mostly though, “those memories that won’t leave me alone” are about ordinary things which somehow, with the passage of time, have turned extraordinary.
All these memories, and many more, course through my mind, and with increasing frequency, as I become ever longer in the tooth and sparser (and greyer) in the hackle. Still, as “Carry Me Back” from the Statler Brothers suggests, they “make me feel at home” and I’m glad to share them “while I’ve still got the time.” I suspect many of you have similar memories, whether they are ones which carry you back or those currently in the making. Either way, I hope you are as blessed as me in terms of having had Julys aplenty filled with wonder. ANNA LOU’S BLACKBERRY COBBLERNamed for my late mother, this is a quick, simple, and immensely satisfying approach to baking a cobbler, and the good news is that it doesn’t involve the tedious work on making a crust. I baked one last night, and a big bowl, topped off with milk or ice cream, is tasty enough to bring tears of joy to a glass eye (yeah, I know, that is probably politically incorrect, but it’s a saying I heard throughout my boyhood and, besides, I don’t care a fig’s worth for political correctness). 1 cup milk Melt the stick of butter in a shallow, 9 x 13 inch baking pan, and then blend it with the milk and dry ingredients until thoroughly mixed. Pour into the baking pan and spread blackberries evenly. Bake at 350 degrees until golden brown. BLACKBERRY SAUCE2 cups blackberries Mix all the ingredients well and refrigerate for an hour or more. Allow sauce to come to room temperature before serving. Delicious served over a chocolate tart, cheesecake, or vanilla ice cream. BLACKBERRY DUMPLINGS1 quart blackberries DUMPLINGS1 cup flour Place blackberries, sugar and water in saucepan and bring to a boil. Meanwhile, mix dumpling ingredients thoroughly and drop by tablespoons into boiling berries. Cook for 15 minutes or until dumplings are cooked through the center. Serve hot with cream. BLACKBERRY SORBET2 ½ cups boiling water Pour boiling water over tea bag and steep for 10 minutes. Mix blackberries with sugar. Add tea to the berries; crush berries with the back of a large spoon to release juices. Cover and cool. Puree berry/tea mixture in food processor using a metal blade. Strain through a fine sieve. Add lemon juice and mix. Refrigerate for at least an hour. Place sorbet mixture in ice cream maker and process as you would ice cream. Freeze sorbet overnight to allow flavors to develop. Makes one quart (recipe ingredients can be doubled to make more). Thank you for subscribing to the
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